![]() ![]() Knuckles aren’t seen that much in this angle so just proceed to sketch out the fingers with detail. Now, let’s proceed with the details so the hand doesn’t bother us anymore. You’ll also notice how the fingers compact more towards the thumb, and this is where the weird happens… I know it looks a bit freaky now, but you’ll get to understand why later on. For this hand pose, we’re going to draw the hand balled up into a fist that is facing us.Īfter the base, remember that fingers are tucked in when in a fist, so the knuckles are exposed like little hills on top of the folded fingers. By adding the shadow on the bottom of the fingers, you create the illusion that those fingers are tucked in.Īre you down to try other angles of the fist? It does get tricky because hands look weird sometimes in certain poses but they still make sense you know? So, we start with a curved square as the base for the hand. Since the fingers are close together, you draw lines in between to section them off. Sketch out the shape of your fist by drawing the knuckles (which kind of look like little hills) and then shape the fingers. Īfter sketching the shapes, you can proceed to add the details necessary to make it look more like a fist than a blob of shapes. ![]() You can change the sizes of your drawing if you want your hand to look slender. Then you draw the rough sketch of the thumb beside the square. You start with a curved square that is enough to cover the front of the fist. ![]() If you’d take a look at your own fist, you’ll notice the fingers tucked in and your knuckles are more prominent. So, remember those details as we proceed to more complicated hand poses.ĭrawing the fist is actually easier than drawing an open hand. Speaking of folds, you’ll also notice how the skin folds and creases when you tuck your finger. As shown in the drawing, you’ll understand how it curves better when you picture where the joints fold. Note: Before proceeding any further, let’s first understand what fingers look like when drawn. You can also try drawing the same hand but from different angles as this can help you with hand study. These hand poses are typically drawn when your character is waving or probably wanting to highlight something on their hand. The lines for the hand go in the knuckles, and some parts of the fingers to identify where the fingers would tuck into the fist. So, after the mitten stage, we go and draw the individual fingers. Here, we go with the same first steps except for the line placement. Next, let’s try drawing the back of the hand. Add details to the hand, like a few lines where the hands ball into a fist and where the fingers curved. Once you feel good about the sketch, you can go ahead and fix up whatever needs fixing. They don’t have to look perfect yet, so just sketch them out and you can fix them later after the sketch is done. After that, you can go ahead and draw the rest of the fingers. We start with the thumb, you can look at your hand for reference or other images you can find. Now, let’s sketch out the individual fingers slowly because we need to make it look like a hand and not sausages. Add a shape for the thumb to complete your mitten. In this one, we’re going to use the mitten method where the sketch looks like a mitten at first, you can also separate the forefinger from the mitten to get a clearer picture of the hand. Then add more shapes that help form the fingers. Sketch a soft-curved square as a base for the palm. I’m as much of a beginner like you-heck, you could probably be better than me so? We can do this step-by-step, as I am definitely not a professional artist. But, sometimes it gets tricky so let’s use different shapes to draw the hand. I usually draw hands without guides, I rely on images as references, or I look at my own hand. ![]() This way, we get to see how the fingers work and the overall estimate of the hand. To start, let’s go and draw a hand in an open palm. ![]()
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